An Elementary School
Classroom in a Slum
By Stephen Spender
ABOUT THE POET
Spender was born in London in 1909.
His parents were both literary people, his father being a journalist while his
mother was a painter and a poet.
Theirs was middle class society and,
typically for those days, they tended to despise the ways of the working class.
His parents' attitude would naturally influence the poet as a young boy --
hence the theme of his poem "My parents kept me from children who were
rough".
The poet initially attended Oxford
University but did not finish his degree. Indeed, he later boasted about the
fact that he had never ever passed an exam in his whole life.
While he was at Oxford, however, he fell under the influence of the poet W.H. Auden with whom he did some major collaboration. Later he would also pal up with both Louis MacNeice and Cecil Day-Lewis, as well has many other rising English poets.
Instead of finishing his degree, Spender spent time in Germany where he studied some of the German poets.
The world in which he lived, however,
quickly came to be dominated by a struggle between fascism and communism, and
Spender became involved in this clash of ideals. Indeed, he even launched
himself into the Spanish Civil War where he sided with the socialist forces
opposed the fascist dictator, General Franco.
Despite his lack of a degree,
Spender's proven poetic track record allowed him to teach at various American
universities. In 1965 he Was appointed "Poet Laureate Consultant in
Poetry" to the United States Library of Congress.
IN A NUTSHELL
In this poem, the poet has
concentrated on themes such as social injustice and class inequalities. In the first stanza, the poet describes the
students in an elementary classroom of a school located in a slum. The students
are all malnourished and poverty-stricken. Their hair hang around their pale,
wan faces like rootless weeds, unkempt and dirty. There is a tall girl with her
head weighed down due to weakness and misery. A very thin, undernourished boy
watches with bulging, rat-like eyes. There is also a small boy, who has
inherited a disease of twisted bones from his father. However, at the back of the
class is a sweet, unnoticed boy, dreaming innocently of a squirrel’s game in a
tree room, which shows that he is hopeful of a bright future. The walls of the classroom are sour cream in colour and peppered by donations such as a poster of William Shakespeare, domed buildings in civilised cities, flowery Tyrolese valley, the world map, etc. But for these children in the slum, the pictures on the walls have no meaning. This is because their world is different from what is shown in the posters. Their futures are painted with fog, i.e., unclear and dull. Their world is just a narrow street with a lead sky (signifies sadness and misery). Their world is far from the rivers and capes in the posters
According to the poet, all the pictures and donations are a bad example to these students. The pictures of ships, sun and love tempt them to choose the wrong path and steal. For children in such a bad condition in the slums, their time and space are foggy, miserable slums. Therefore, the maps on their walls should be blotted with huge slums and false promises should not be made.
The windows, which show these students the scene of the slum outside, close upon their lives like catacombs. So, unless a governor, inspector or visitor feels pity on these students and encourages them, these children will be doomed. Instead of making false promises, these people need to give better educational opportunities to these children so that they may have a better future.
The poet says
that the condition of the children in a slum school is pathetic. Their world is
far removed from the open, healthy environment. They are as unwanted as the
rootless weeds. Their hair is unkempt and they have pale faces which clearly
indicate their deprived and under-nourished condition. These children, as the
tall girl, are stressed by the burden of their circumstances. They are
exhausted both physically as well as emotionally. The paper thin boy is skinny.
His eyes have a scared look. These unfortunate beings have inherited only
disease and bad luck from their parents. One of diseased ones can’t even get up
from the desk to recite his lesson. However, there is one child at the back of
the class who is younger than the others. His inexperienced eyes are full of
hope and he is dreaming about playing games in the open. Apparently gloom has
still not enveloped him.
Stanza 2
The classroom
walls have a dirty appearance as they haven’t been painted for a long time. In
other words, these children inhabit a world which is dreary and depressing. On
the walls are displayed the names of people who have given donations. The bust
of Shakespeare with the background of a clear sky at the time of sun-rise is
also displayed. The walls also have scenic pictures of Tyrolese Valley with its
beautiful flowers presenting a world of the heavenly splendor. Apart from all
this, the walls also have a map revealing the world which they view from the
classroom’s windows which is foggy and harsh. It represents a dark and bleak
future with no hope for amelioration. Their eyes can only view a narrow road
which is enclosed with a dull sky. The poet suggests that these children are
trapped in a hopeless situation and their reality is far removed from the
literary world which glistens with the beauty of nature such as the rivers and
the high land jutting from the sea.
Stanza 3
The pensive
poet suddenly turns belligerent (aggressive) and feels that Shakespeare is ‘wicked’.
This is because he misleads the children. He shows them a beautiful world of
ships, sun and love which is not only unreal for them but it has a corrupting
influence on these children and instigates them to steal and try to escape from
their cramped holes. Their existence is indeed, very sad. These emaciated
children are so thin that it appears that they are ‘wearing’ skins. The
spectacles they are wearing have glass which has been broken and mended. Their
entire appearance reeks of their deprivation. The poet shows his outrage by
suggesting that the maps on their walls should show huge slums instead of
beautiful scenic graphics.
Stanza
4
In a
conciliatory tone the poet appeals to the governor, inspector and visitor to do
something to improve their condition. If there is political will this map
showing the beautiful world outside can become their reality too. The poet
hopes the authorities would realize their moral responsibilities and free these
children from their grave-like entrapments. He wants all the barriers to be
pulled down; barriers that keep away true education from them. The children
must be given freedom to experience the wholesome bounties of nature-view the
green fields and run on ‘gold sand’. Let them read books and let them breathe
in fresh air. Let them discover themselves and let them be creative so that
their names can also enter the books of history. Let them find their place in
the sun.
QUESTIONS WITH ANSWERS
1.Where does the slum exist? How do you know this?
The slum exists far away from the seas and
oceans and rivers where rich and prosperous people live. Prosperity is found in cities and cities generally
stand on the coastal regionsof the world. As the slum is away from the gusty
waves of the seas, they are far awayfrom seas too.
2.Why is the hair of the children here compared to rootless weeds?
When weeds are rootless they are dead and decayed. Similarly the slum-
children have their hair without being groomed or nourished properly. Their
hair tangle on their faces without any order.
3.Why is
the tall girl’s head weighed down?
There is possibly more than one reason for the
tall girl’s head being weighed down. In the first place she, being big and
responsible, is burdened by her own terrible life. Secondly, the girl, being
tall, is ashamed of studying with small kids.
4. The paper- seeming boy, with rat’s eyes.
The
stunted, unlucky heir of twisted bones,Reciting a father’s gnarled disease,
his lesson, from his desk.
appearance of the boy?
The boy is as thin as paper due to
malnutrition and poor upbringing.
than the attractions inside the classroom.
c) How does the term,
stunted, describe the unlucky boy’s
appearance?
malnutrition have tortured his
body and spirit. He looks like a living
skeleton.
d) Why
is the boy unlucky?The boy has nothing at hand to be lucky. What he has inherited from his
father is a cruel disease. Poverty is his companion. A skeleton-like figure
is what he is. Hunger gleams in his eyes and helplessness echoes in his
heart.
e) What has the boy inherited from his father?
The boy has inherited neither money nor great legacy nor property from his
father. He inherited his father’s gnarled disease.
f) How does the unlucky boy ‘recite’ his father’s decease from his
desk?
The unlucky boy is suffering from the same gnarled disease that his father
too was suffering from. When asked to recite his lessons in the class, the
boy struggles to do so due to his ailment/disease.
g) What do you understand by ‘gnarled disease?’
The possible ‘gnarled disease’ of the unlucky boy is either polio or uneven
growth of bones or even tuberculosis.
( To be contd)
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